Momentum: Art & Ecology in Contemporary Latin America (New York: The Museum of Modern Art, 2025), co-edited with Inés Katzenstein and María del Carmen Carrión
Essay on María Magdalena Campos-Pons, "Study for Elevata" in Harvard Art Museums: In Your Hands (Cambridge; London: Harvard Art Museums; GILES, 2025)
Performance, politics, and protest in Jesusa Rodríguez’s "El concilio de amor," Artelogie 22 (2024), edited by Andrea Giunta and Agata Jakubowska.
"Confronting the Monster: The Antipatriarchal Mail Art of Polvo de Gallina Negra and Magali Lara in 1980s Mexico" (Latin American and Latinx Visual Culture 6.4)
Essays on Jack Bush, Jules Olitski, and David Smith, for The Solomon Collection: Durer to Degas and Beyond. Cambridge: Harvard Art Museums, 2025.
"The Measure of the Moon: Suwon Lee's Moonset" in Night Fever: Film and Photography After Dark, edited by Shanay Jhaveri (Cornerhouse Publications, 2024).
"Above and Below: Embodied Knowledge in the Work of Laura Anderson Barbata," in Laura Anderson Barbata: Singing Leaf (New York: Marlborough Gallery, 2023)
Biography of Olga Blinder for AWARE
Biography of Nelbia Romero for AWARE
![What Women Write: Artist's Books, Postal Objects, and Independent Theater in Mexico City (1979-92) [PhD Dissertation]](https://images.squarespace-cdn.com/content/v1/6362c6190257096af2ebdec6/d740b90d-38c7-4d31-b9ac-3da390ddfb94/pl.+1.10.png)
What Women Write: Artist's Books, Postal Objects, and Independent Theater in Mexico City (1979-92) [PhD Dissertation]
A Reflection on "Las olas del deseo. Feminismos, diversidades y cultura visual 2010-2020+"
Review: Aó. Episodios textiles de las artes visuales en el Paraguay
Jaider Esbell: Fisuras entre los mundos
Jaider Esbell: Fissures between Worlds
MoMA Magazine Artist Interviews
Naturaleza muerta: Los objetos, el poder y la memoria en la obra de Julio Larraz
Ecology and Womxn Artists in Latin America
Counter-Slowness in the Work of Tomás Sánchez
We, a part of them: Laura Anderson Barbata and the disassembly of border regimes
Vistas 5—Erasures: Excision and Indelibility in the Art of the Americas
The Right to Appear: Alejandro Paz Navas’s The Bodyguard (2002) and the Guatemalan Postwar Art Scene
Making Waves: A Conversation with Laura Anderson Barbata
A Version of Reality: Conversation with Daniel Lie